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Huw Miller is a retired police officer, who is plagued by the one case he failed to crack — stalker who taunted his town, toying with his victims before killing them. When Patrick Harbottle moves into a home on his street recently left empty when the occupier suddenly dies, Miller becomes convinced his new neighbor is the killer, thanks to three little words.

Follows six pageant wives whose lives revolve around glamour, perfection and winning at any cost.

We all live in "relationship”. A short documentary filmed in the village of "Nagataki" in the mountains of Nara. For the first time in 30 years, the voices of children echo through the mountains of this once marginal settlement. As we guided by the children as they run and play, we encounter a village that has changed its shape to preserve, the quiet vitality and work of people who have remained unchanged through the ages. Supervised by Naomi Kawase

The basic premise of the perennial game show "The Newlywed Game" has been copied and imitated many times, but this original show proved to be the one fans loved (or hated) the most. The rules to this 1970s five-day-a-week syndicated series were identical to those in the classic ABC series. Four couples, each married less than two years, answered a series of questions designed to expose how well the spouses knew (or didn't know) each other. The husbands were first to answer the questions while their wives were secluded offstage; many times, the answers involved "whoopie" (a euphemism for "sex"). Matching answers were worth 5 points each, while not matching usually led to high-pitched arguments much to the delight of Eubanks and the audience. The process was repeated with the wives answering a series of questions and the husbands taken backstage, correct answers were worth 10 points. A final bonus question (usually general, answered by the wives) was worth 25 points. The couple with the...

Contestants compete for a chance to meet their celebrity idol. The winner of the game show is transported to wherever in the world their famous hero is located for a chance to meet them.

A two-way mirror with the lights switched off. Eyes are tracked and attentions are plotted as a fictitious audience follows the narrator’s orders. They are divided by the screen and, though they try, neither can see through to the other side. We can’t be sure if the bond they form is reciprocal or if the audience was ever even there to begin with.